By Barbara Black
In nineteenth-century London, a clubbable man was a
fortunate man, indeed. The Reform, the Athenaeum, the Travellers, the Carlton,
the United Service are just a few of the gentlemen’s clubs that formed the
exclusive preserve known as “clubland” in Victorian London—the City of Clubs
that arose during the Golden Age of Clubs. Why were these associations for men
only such a powerful emergent institution in nineteenth-century London?
Distinctly British, how did these single-sex clubs help fashion men, foster a
culture of manliness, and assist in the project of nation building? What can
elite male affiliative culture tell us about nineteenth-century Britishness?
A Room of His Own sheds light on the mysterious ways of male associational culture as it examines such topics as fraternity, sophistication, nostalgia, social capital, celebrity, gossip, and male professionalism. The story of clubland (and the literature it generated) begins with Britain’s military heroes home from the Napoleonic campaign and quickly turns to Dickens’s and Thackeray’s acrimonious Garrick Club Affair. It takes us to Richard Burton’s curious Cannibal Club and Winston Churchill’s The Other Club; it goes underground to consider Uranian desire and Oscar Wilde’s clubbing and resurfaces to examine the problematics of belonging in Trollope’s novels. The trespass of French socialist Flora Tristan, who cross-dressed her way into the clubs of Pall Mall, provides a brief interlude. London’s clubland—this all-important room of his own—comes to life as Barbara Black explores the literary representations of clubland and the important social and cultural work that this urban site enacts. Our present-day culture of connectivity owes much to nineteenth-century sociability and Victorian networks; clubland reveals to us our own enduring desire to belong, to construct imagined communities, and to affiliate with like-minded comrades.
A Room of His Own sheds light on the mysterious ways of male associational culture as it examines such topics as fraternity, sophistication, nostalgia, social capital, celebrity, gossip, and male professionalism. The story of clubland (and the literature it generated) begins with Britain’s military heroes home from the Napoleonic campaign and quickly turns to Dickens’s and Thackeray’s acrimonious Garrick Club Affair. It takes us to Richard Burton’s curious Cannibal Club and Winston Churchill’s The Other Club; it goes underground to consider Uranian desire and Oscar Wilde’s clubbing and resurfaces to examine the problematics of belonging in Trollope’s novels. The trespass of French socialist Flora Tristan, who cross-dressed her way into the clubs of Pall Mall, provides a brief interlude. London’s clubland—this all-important room of his own—comes to life as Barbara Black explores the literary representations of clubland and the important social and cultural work that this urban site enacts. Our present-day culture of connectivity owes much to nineteenth-century sociability and Victorian networks; clubland reveals to us our own enduring desire to belong, to construct imagined communities, and to affiliate with like-minded comrades.
“This splendid book boldly lifts the curtain and raises the
sash of Victorian private gentlemen’s clubs, which often were more comfortable,
intimate, and yet sociable than the prized domestic hearth. According to
Professor Black, clubs functioned as heterotopic spaces that were simultaneously
apart from and part of the social fabric that constituted them. This is a
beautifully conceived, thoroughly researched, and deftly argued book that
expands our awareness of the homosocial associations out of which personal and
national identities were forged in the nineteenth century and persist, with
modifications and adjustments, even today.”
Karen S. Chase Levenson — Linden Kent Memorial Professor of
English, University of Virginia
“Barbara Black’s wonderfully informative discussion of
nineteenth-century London club culture is something of a revelation. She makes
us see how significant were men’s clubs in the social life of the expanding
propertied classes of Britain; how ubiquitous, if critically overlooked, are
their representations in the Victorian novel and the Victorian press; and how
powerfully the sociability they fostered has shaped notions of English
masculinity and national identity. That she does so in prose that is itself sociable—often
witty and always appealing—is an added pleasure.”
Eileen Gillooly — Associate Director of the Heyman Center
for the Humanities and Associate Faculty in English, Columbia University
Purchase from Ohio University Press • Swallow Press.
